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<body><h1>16X Manual Servo Lens</h1><table class="table" border="1" style="width: 60%;"><tbody><tr><td>File Name:</td><td>16X Manual Servo Lens.pdf</td></tr><tr><td>Size:</td><td>3730 KB</td></tr><tr><td>Type:</td><td>PDF, ePub, eBook, fb2, mobi, txt, doc, rtf, djvu</td></tr><tr><td>Category:</td><td>Book</td></tr><tr><td>Uploaded</td><td>22 May 2020, 20:11 PM</td></tr><tr><td>Interface</td><td>English</td></tr><tr><td>Rating</td><td>4.6/5 from 743 votes</td></tr><tr><td>Status</td><td>AVAILABLE</td></tr><tr><td>Last checked</td><td>16 Minutes ago!</td></tr></tbody></table><p><h2>16X Manual Servo Lens</h2></p><p>Backwardly compatible with the original XL1, the 16x Manual Servo lens replaced the now-discontinued 14x Full Manual lens previously offered by Canon for the XL platform. The 16x Manual Servo?s slightly longer zoom range (versus the 14x), manual focus, switchable servo-zoom and other enhancements promised XL1 and XL1S shooters a new level of flexibility and image control. Shooters who bemoaned difficulties with the standard-issue 16x IS II Automatic lens.If so, should it be your primary lens or should it supplement the 16x IS II Auto lens. The goal of this review is to provide you with a complete description of the lens.At 920 grams (approx. 2lbs) it?s the heaviest of the XL lens family and just over 41% heavier than the 16X IS II Auto lens, although not quite as heavy as most broadcast lenses. On the 3lb 12 oz XL1S, which is already normally nose-heavy, a lens representing 54% of the camera body?s weight is notable. As you can see from the specification summary, the 14x and 16x manual lenses have several common characteristics. Filter sizes and minimum focusing distances are identical. Both have macro focus capabilities. Angles of coverage are also very close, differing slightly due to their respective focal lengths. Both lens? focus rings feature barrel markings but the 14x lens.The 16x lens? outer element remains stationary as youBut since the iris setting is often a static decision when shooting, this control configuration should not really be unduly inconvenient for experienced shooters. The lens? zoom servo is engaged and disengaged by a switch located on the lower right side of the lens barrel. You will usually hear and feel a soft ?click? when you engage the servo zoom motor. At that point the lens.When the servo is engaged, the zoom is operated either by the large rocker above the camera?s hand grip, by the small rocker on the camera?s top handle or by a remote controller such as the wireless controller or a wired LANC controller.<a href=""></a></p><ul><li><strong>16x manual servo lens, 16x manual servo lens replacement, 16x manual servo lens calibration, 16x manual servo lens manual, 16x manual servo lens replacement kit, 16x manual servo lens, canon 16x manual servo lens.</strong></li></ul> <p> The zoom servo is also not quite as fast as that of the 16x IS II lens, which can zoom in and out extremely quickly. Located on a rear ring of the barrel, the 16x?s ND filter features two settings.The 14x Full Manual lens did not feature any internal ND filter facility. This is a somewhat tedious, but essential, calibration procedure required to ensure that the lens maintains sharp focus throughout its zoom range. In effect, the process adjusts the location of certain lens elements with respect to the camera?s CCD block. Back-focus on the lens must be adjusted before its first use and checked periodically, particularly after the lens has been removed from the camera.The mechanism for performing back-focus adjustment, the flange back adjustment ring and its locking screw is located immediately in front of the lens? mount. Its optics are excellent, as you would expect from one of the world?s premier lens manufacturers. Its true manual focus ring is a joy to use. The stationary front element makes attachment of accessories much easier than with its predecessor, the 14x Full Manual lens. The zoom servo is smooth, although it's not quite as variable as that of the 16x IS II Auto lens. Perhaps the only notable quirk in the lens.While the lens? true manual focus feature may make it attractive to those frustrated with the 16x IS II lens.No matter how steady you think your handheld shots are, this lens will humble you. Put bluntly, this lens is strictly for mounted or externally-stabilized (ex: Steadicam) shooting.If your work leads to shooting in more controlled environments, such as scripted dramas or documentaries, then you should look closely at the 16x Manual Servo lens to provide the level of image control precision commensurate with your work. Ken has special interests in developing short dramas and documentaries as well as educational works, and currently shoots with both an XL1S and GL2. We delete comments that violate our policy, which we encourage you to read.<a href=""></a></p><p> Discussion threads can be closed at any time at our discretion. Please try again.Please try again.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.Unlike other systems, the XL2 offers users the ability to change lenses, whether from within the XL series of video lenses, third-party cine lenses, or Canon's extensive range of photo lenses. This not only makes the XL2 a far more versatile camera, it also opens up incredible opportunities for the XL2 user. Within the Canon XL system alone there are four lenses: the new 20x OIS, 16x OIS, 16x Manual, and 3x Wide. Then, using an XL system adapter, the entire range of Canon photo lenses is available -- a tremendous boon to those producing wildlife and nature documentaries, for example. Other companies also offer a variety of specialty cine lenses that can be used on the XL2.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. Harold W. 5.0 out of 5 stars Arrived on time and is everything advertised.I have back focus now, it goes lock to lock. Not that continual spin thing like the stock lens that came with the camera. And the optics are great. Very cool. RJ. Fully manual focus with barrel marks. 16x zoom with manual and servo control. Rectangular lens hood keeps out stray light. Digital iris control and 2 built-in ND filters. Imported from USA. A key feature of the Canon XL-series camcorders (and the only MiniDV format camcorders with this feature), is the XLUnlike other systems, the XL2 offers users the ability to change lenses, whether fromThis not onlyWithin the Canon.</p><p> XL system alone there are four lenses: the new 20x OIS, 16x OIS, 16x Manual, and 3x Wide. Then, using an XL systemOther companies also offer a variety of specialty cine lenses that can be used on the XL2. We'd love to help you out. Fully manual focus with barrel marks. 16x zoom with manual and servo control. Rectangular lens hood keeps out stray light. Digital iris control and 2 built-in ND filters. Imported from USA. A key feature of the Canon XL-series camcorders (and the only MiniDV format camcorders with this feature), is the XLUnlike other systems, the XL2 offers users the ability to change lenses, whether fromThis not onlyWithin the Canon. XL system alone there are four lenses: the new 20x OIS, 16x OIS, 16x Manual, and 3x Wide. Then, using an XL systemOther companies also offer a variety of specialty cine lenses that can be used on the XL2. We'd love to help you out. Fully manual focus with barrel marks. 16x zoom with manual and servo control. Rectangular lens hood keeps out stray light. Digital iris control and 2 built-in ND filters. Imported from USA. A key feature of the Canon XL-series camcorders (and the only MiniDV format camcorders with this feature), is the XLUnlike other systems, the XL2 offers users the ability to change lenses, whether fromThis not onlyWithin the Canon. XL system alone there are four lenses: the new 20x OIS, 16x OIS, 16x Manual, and 3x Wide. Then, using an XL systemOther companies also offer a variety of specialty cine lenses that can be used on the XL2. We'd love to help you out. Known for their high build quality and precision optics, Fujinon lenses have become the industry standard for professional video applications all over the world.High Definition Ready Many high-definition cameras are hamstrung by insufficient optics. Electronic News Gathering (ENG) lenses traditionally have been built to accommodate standard-definition. This lens is designed specifically with high-definition in mind.</p><p> The optics increase fidelity, making sure HD footage is crystal clear.With durability professionals have come to expect, footage will look breathtaking, time after time.Instead of using the zoom function, the extender gives immediate close-up images.At the touch of a button, the lens can move to full telephoto in less than a second. This provides a no-hassle way of verifying focus.These advances contribute to more balanced imaging from center to edge throughout the aperture range. Let us know YOUR RECENTLY VIEWED ITEMS Browsing History ON Clear History Not responsible for typographical or illustrative errors. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. See All Buying Options Add to Wish List Disabling it will result in some disabled or missing features. You can still see all customer reviews for the product. Please try again later. From the United StatesArrived on time and is everything advertised.Please try again later. Please try again later. RJ 5.0 out of 5 stars I have back focus now, it goes lock to lock. Not that continual spin thing like the stock lens that came with the camera. And the optics are great. Very cool. RJPlease try again later. Please try again later. We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. We actively monitor the prices offered by our competitors daily and adjust our own pricing accordingly. Check out our suggestions The prices and options do not include shipping regulations and duties which will be checked in the checkout process.</p><p> Shipping to the Channel Islands, Northern Ireland, Republic of Ireland and some remote UK postcodes are not next day but 2 working days. In the event that additional checks are required you will be informed and dispatch time will be extended by the time taken to resolve any queries raised. We apologise for any inconvenience this may cause. In this event we will always do our utmost to keep you fully informed of any delay imposed. Find what event is right for you. Creative Video Productions Ltd acts as a broker and offers finance from a restricted range of finance providers. Finance provided by PayPal Credit, a trading name of PayPal (Europe) S.a r.l. et Cie, S.C.A., 22-24 Boulevard Royal L-2449, Luxembourg. Subscribe Shop without retyping payment details. Secure shopping made faster. Check out with PayPal. Close double click image to zoom in 16x Manual Servo Zoom Lens Be the first to review this product. OUT OF STOCK. LOADING. Overview Specs Reviews The Canon Manual Servo Zoom lens gives you the flexibility of calibrated manual focus and calibrated power zoom, power iris and two built-in ND filters. A rectangular lens hood keeps out stray light. With a 5.4 - 86.4mm (16x) or 39 - 624mm (equivalent to 35mm camera) focal length, this lens offers a moderate wide angle to extreme telephoto shooting coverage. Manual and Servo Control The Canon Manual Servo Zoom lens allows servo or fully manual control over the focus, zoom and iris with its barrel marks. Learn more about the Detailed Specifications Additional Information Date First Available January 29, 2010 There are no reviews yet. Do you own this product.Item has been added to cart. A ll rights reserved. Facebook Twitter Instagram LinkedIn Pinterest YouTube Twitch Discord Mixer. Known for their high build quality and precision optics, Fujinon lenses have become the industry standard for professional video applications all over the world.</p><p> For a quicker response, call us at 801-486-5757 during business hours (M-F 9AM-6PM MST). The information you provide is solely for the distribution of email information. You can unsubscribe at any time by clicking the link in the footer of our emails. For information about our privacy practices, please visit our website. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices here. By continuing to browse this site, you are agreeing to our use of cookies. See our Privacy Policy. I ACCEPT. The seller has relisted this item or one like this. Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn more The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or an item that has been returned to the seller after a period of use. See the seller’s listing for full details and description of any imperfections. Contact the seller - opens in a new window or tab and request post to your location. Please enter a valid postcode. Please enter a number less than or equal to 1. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Model: 16x Zoom XL. Lens Type: Zoom Lens. Zoom: 16x. Lens form: 5.4 - 86.4mm.</p><p> Onboard manual adjustments: Focus, Zoom, ND Filter, Macro. Actual unit dimensions: 11.6 x 20.7 x 10cm Condition: Item is in good cosmetic condition and good working order. The unit has little sign of previous use, please note no growth is present to the interior of the lens. Some specs of what appears to be white paint are present. Sold as photographed: Our photographs are of the actual item for sale and are taken immediately prior to the auction commencing. Everything included in the sale is photographed. Anything not photographed is not included. Notes about VAT: In accordance with eBay's rules, what you bid is what you pay. No VAT is added or subtracted once the price is agreed. This item is sold inclusive of VAT at the standard rate unless exported outside of the EU or to a non-UK VAT-registered business.The unit has little sign of previous use, please note no growth is present to the interior of the lens. Some specs of what appears to be white paint are present., Brand: CANON, Type: Telephoto, Colour: Black, MPN: Does Not Apply, Model: 16x Zoom, Series: Manual Video Lens, Manufacturer warranty: None, Manufacturer Part Number: Does Not Apply You are the light of the world. Please click Accept Cookies to continue to use the site.Austin, Texas 78753 The focal-length range is 5.5 to 94mm with a minimum object distance of 0.6 meters, or about 2 feet. This lens can not only resolve images for high definition acquisition, it's also equipped with a wide array of extra features. These features include the patented QuickZoom technology, making it easy to verify focus. Please click Accept Cookies to continue to use the site.Austin, Texas 78753 The camera records a variety of frame rates form 23.98 native up to 59.94p. It features both genlock and timecode, and fits into an XDCAM EX workflow. It features a viewfinder with 960 x 540 resolution, 3D noise reduction for improved image quality, flash band reduction, a customizable user menu, and 2 x SDI outputs.</p><p> The camera records to 2 x SxS media card slots, and can support a variety of media using optional adapters. You can also record HD using MPEG HD420 and SD using DVCAM to an SD media card slot. The included 16x zoom lens features a 35mm equivalent zoom range of 35.4 to 503mm, and can be operated as either a servo or manual lens. Product Highlights. Super 35-Sized CMOS Sensor, E-Mount. Full HD up to.Product Highlights: - Super 35 Sized CMOS Sensor - Sony E-Mount - UHD Up to 60 FPS, HD Up to 180 FPS - 4096 x 2160 Via External.Product Highlights: - 5K Super 35mm CMOS Sensor - 5120 x 3000 Recording up to 75 fps - REDCODE RAW, ProRes, and DNx Recording - High-Speed. This camera’s high sensitivity of F11 at 59.94Hz (F12 at 50Hz) and enhanced flash band reducing algorithm, which is processed at the hardware level, ensure uncompromising image fidelity. It is worth noting that the flash band reduction is a feature that can be disabled in the camera’s menus. Moreover, the menus themselves are customizable with a “User Menu” of user dictated shortcuts. The PXW-X320 is designed to support wireless operation using an optional wireless adapter, the CBK-WA101, which can be attached without any additional cables. Using this adapter, you can stream out pictures for live shooting via an IP network. The adapter also provides live monitoring and remote control of the PXW-X320 by mobile tablet or smartphone with mobile application software. Specification and prices are subject to change without notice. HJ40X series standard configuration includes digital servo zoom and focus, supporter and carrying case. YJ19X9B KRS YH19X6.7 KRS The 19X is the lens chosen by most Pro-Video camera buyers who select an IF (Internally Focused) lenses. In addition, the 19X and 12X feature a 30% faster zoom motor to complement our exclusive Shuttle Shot technology and all the advantages available with a Canon IFpro lens.</p><p> Shuttle Shot technology enhances production capabilities by allowing the user to zoom back and forth instantly from any two positions, at the touch of a button. IFpro reduces chromatic aberrations thus increasing resolution, decreasing flare and allowing the shooter to get closer to the subject for enhanced production value. YJ19X9B IRS YJ19X9B VRS YH19X6.7 IRS WIDE YJ12X6.5B KRSA YH12X4.8 KRSA Canon also offers a 12X wide angle lens for dramatic imagery and attention-getting content. The 12X can be operated with the same control accessories as the Pro-Video Standard, the 19X, and can be used with a 105mm optical filter. CLAMPER CR-10 DIRECTION SWITCH EC-80 EXTENSION CABLE ZSG-200 VIDEO RETURN VTR START-STOP SWITCH VIDEO RETURN ROCKER SWITCH ZOOM SERVO GRIP The zoom servo grip resembles a “pistol” grip.The cable (EC-80) to the servo unit plus the clamper (CR-10) are included with the studio conversion kit. If the zoom servo grip is purchased CLAMPER separately, the EC-80 and CR-10 are not included. Please see page 6 for the 20P-6P adapter cable. Zoom Servo Cable 14 Ft. Focus Servo Cable 8 or 20 pin cable for Zoom 6 or 20 pin cable for Focus Note: Analog Studio Conversion Kits will operate “Digital” lenses.The special digital functions can only be accessed from the lens drive unit. But it is impossible to use combinations not shown in above chart. Note 3. Focus servo operation is impossible when using Tele-side Converter,Wide Converter,Wide Attachment, and Fish-Eye Attachment for nonInternal Focus Lenses. Note: J9aX5.2B, and J11aX4.5B do not accept CL-up lenses. Maximum cable length is 150m by connection of these cables. Please see page 12 for Remote Controllers and Connecting Cables. Please see page 10 for Close-up Lens Information. Remote control 2.0X motorized extender is available as an option for all of the above mentioned lenses. Please contact a Canon sales office for information.</p><p> 11 Auto Focus Remote Control Lens Canon’s advanced Auto Focusing System is now built into their YH16x7 KTF-AF Remote Control Lens, signaling an important first in lenses typically used for security, surveillance, traffic monitoring, border control, education, web applications, and more. The advanced self-contained Auto Focus System technology provides AF control completely within the lens, independent of the camera, making it easier than ever to capture high quality images in standard camera applications, as well as with robotic pan and tilt systems. The self-contained Auto Focus System in the YH16X7 KTF-AF also allows the lens to be incorporated into any kind of existing system, simply by inputting a video signal from the camera to the lens. Additional features include:Auto-Adjustment of Back Focus, High Speed Focus, Low Noise and Optical Performance maintained between the Wide and Tele end. Each of these functions have a speed control.There also is a switch for remote or auto iris. Zoom Speed Adjust Iris Speed Adjust Focus Iris Iris Mode Control Control Select Switches Switches Zoom Control Switches TCR-201F The TCR-201F provides more control of zoom, focus, and iris through the use of positional servos.There also is a switch for remote or auto iris. TCR-301F The TCR-301F can preset zooming and focusing operations for up to eight shots. When the lens moves, the light rays from the subject are bent relative to the optical axis, resulting in an unsteady image because the light rays are deflected. By shifting the IS lens group on a plane perpendicular to the optical axis to counter the degree of image shake, the light rays reaching the image plane can be steadied. Since image shake occurs in both horizontal and vertical directions, two shake-detecting sensors for yaw and pitch, detect the angle and speed of movement and send this information to a high-speed 32-bit microcomputer, which converts the information into drive signals for the IS lens group.</p><p>Then the actuator moves the IS lens group horizontally and vertically thus counteracting the image shake and maintaining the stable picture.The Shift-IS component is located within the lens groups and is most effective for lower frequency movements caused by platform vibration or wind effect without increasing the overall size and weight of the master lens. IS-20B II Vari-angle Prism Optical Image Stabilizer Adapter. Popular with videographers who enjoy broadcast-quality, shake-free shooting from helicopters, boats, and cars, the IS-20B II is also being used in weatherproof housings (mounted to structures subject to high winds, swaying or vibration), as part of WeatherCam or traffic monitoring systems. Normally light rays from a subject pass through the object lens to the image plane. However, shaking of the lens caused by vibration, hand shaking for example, would cause the Vari-angle Prism.When the Vari-angle Prism is placed between the subject and the optical system, the angle of the prism can be changed according to the angle of vibration of the axis of light in the lens. This controls the angle of refraction of light rays so that the subject remains centered on the image plane—free from the shaking effect. 1. Lens when still. 2. Lens when moved downward. 3. Counteraction by IS lens group. New Jersey Broadcast and Communications Division (Headquarters) 400 Sylvan Avenue Englewood Cliffs, NJ 07632 (800) 321-HDTV (201) 816-2900 Fax: (201) 816-2909 Latin America (954) 349-6975 Fax: (201) 816-2909 Chicago 100 Park Blvd. Itasca,IL 60143 (630) 250-6231 Fax: (630) 250-0399 Atlanta 5625 Oakbrook Pkwy. Norcross, GA 30093 (770) 849-7895 Fax: (770) 849-7888 Dallas 3200 Regent Blvd. Irving,TX 75063 (972) 409-8871 Fax: (972) 409-8869 Los Angeles 15955 Alton Parkway Irvine, CA 92618 (949) 753-4330 Fax: (949) 753-4337 Prices and specifications subject to change without notice.We cannot be responsible for typographical errors. Maximize Your Camera’s Performance. www.</p><p>canonbroadcast.com CNB-PDF-0303-55 We are a non-profit group that run this service to share documents. We need your help to maintenance and improve this website. It's wonderful. It's filter sized, weight virtually nothing, and can be used on any lenses, your 20X with OIS, your manual lens, your 3X if you want a greater wide angle effect, you can also use it on your XLH1, XHA1 DVX100, or any other 72mm lens. It is exceptionally sharp and very little distortion.A very satisfied customer. For more details including how to change your cookie settings, please read our Cookie Policy. Is the product description or specifications incorrect or confusing? Please update your browser. We are processing website orders as normal and our phones remain open. Items are still being shipped daily and all in-stock items can still be sent on next day services. You must have JavaScript enabled in your browser to utilize the functionality of this website. No lens is included in this kit. It is also quite common that customers throw outUser manuals are alsoTry Google Search! I10b20a1-12152014. Hi I lost my manual. BeFree tripod - Manfrotto BeFree Compact Aluminum Travel Tripod (Blue) and Posted by: Jim Carroll 2020-10-10 17:29:48 A searchable.pdf has a lot to recommend it. IR Patrol M300W - IR DEFENSE IR Patrol M300W 1-8x Thermal Monocular IRP-M300W Posted by: Eric Ng 2020-10-10 15:03:40 the eyepiece of my IR patrol m300w becomes blurred, i cant read the indicators and letters, what should i do?. D1000 loud pop - Novatron D1000 Power Pack ND1000 Posted by: mark 2020-10-10 13:47:15 where do i sen my D1000 novation power pack to get fixed after loud pop and it stops working. The PXW-X320 can record 10-bit video and 24-bit audio using the XAVC codec, and provides the options of XAVC Intra, XAVC Long, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM for those requiring in camera SD video recording.</p><p> It features a viewfinder with 960 x 540 resolution, 3D noise reduction for improved image quality, flash band reduction, a customisable user menu, and 2 x SDI outputs. The camera records to 2 x SxS media card slots, and can support a variety of media using optional adapters. You can also record HD using MPEG HD420 and SD using DVCAM to an SD media card slot. The included 16x zoom lens features a 35mm equivalent zoom range of 35.4 to 503mm, and can be operated as either a servo or manual lens. This not only detects vertical and horizontal direction in a frame but also noise components in a time axis, utilising correlation characteristics between video frames that allow the camera to achieve a signal-to-noise ratio of 60 dB. This provides greater flexibility in reducing flash banding across different shooting environments. This feature can be disabled from the menu if you want to use Content Browser for flash band reduction after shooting. This enables, for example, the director and camera operator to concurrently cheque shot content via two separate monitors. Also, for monitoring purposes this camcorder can be connected via HDMI to professional displays as well as domestic-use TVs with an HDMI connector. The i.LINK connector can be used for HDV when SP 1440 (FAT) mode is selected and for DV when DVCAM (FAT) mode is selected, for both input and output signal flows. In HD mode, scanning is switchable between 1920 x 1080, 1280 x 720, and 1440 x 1080 resolutions. Frame rate is also selectable from interlace and progressive: 59.94i, 50i, 29.97p, 25p, and native 23.98p. Each channel level can be controlled by an independent individual level controller. It can enhance the outline of the image, which the camera focuses on most, and change its colour to make it more visible.Please cheque with your lens supplier for ALAC support. Users can select the four values cyclically, or choose one preset value. This is also available via an assignable switch.</p><p> This is useful when a sudden change occurs during shooting, and a quick and direct setting is required. The camera can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720P mode and from 1 fps to 30 fps in 1080P mode, in increments of 1 fps. For example, when viewed at 23.98P, images captured at 60 fps will appear 2.5 times slower than normal. Conversely, images captured at 4 fps will appear six times faster than normal. This means the quality of the slow- and fast-motion images is extremely high and incomparable to those created in the editing process. In addition, these slow- and quick-motion images can be played back immediately after shooting, without using any convertors or processing on non-linear editing systems. The Image Inversion function normalises the image for easy picture monitoring. This will also negate the need to flip the image in post-production. This allows the shutter speed to be extended to a maximum of 64 frames. The Slow Shutter function not only increases camera sensitivity but also produces a special blurring effect when shooting a moving object, for enhanced shooting creativity. The shutter speed is selectable from 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame periods. In addition to six types of standard gamma curves, there are four types of Hyper Gamma which are identical to those on high-end CineAlta camcorders. Operators can select the best-suited preset gamma curve, depending on scenes. Once the Record button is pushed, the content buffered in the camcorder's memory is recorded onto the memory media at the start of the recording clip. The caching period can be adjusted for up to 15 seconds, so in a situation such as monitoring a developing situation, Cache Record enables capturing an event up to 15 seconds before the record button is pressed. This gives users greater operational efficiency. SxS memory cards can be used for storing and loading scene files.</p>
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