fostex fr-2le user manual

fostex fr-2le user manual

Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. Its explanations assume that you have basic knowledge and experience of professional digital recording.Do not drop the unit or give it a strong shock. Brief guide to this manual This manual is intended to be used as a guidebook for using the Fostex FR- 2LE Field Memory Recorder. The manual is divided into Chapters. Each Chapter covers instructions for a specific subject or feature of the FR-2LE which you should know for using the unit, as well as safety instructions, precautions, etc. Chapter 4: Basic connection This chapter describes basic connection between the FR-2LE and external devices.Used to enable or disable the auto level control or the limiter.CompactFlash Sampling frequency Realtime clock Personal computer The names of keys, switches and connectors of the FR-2LE used in this manual match their labels on the panel.The FR-2LE provides of USB port for PC connection. By making PC connection, you can easily transfer audio files from the FR-2LE to a PC and edit the files on it.Get commercially available batteries or a USB cable if necessary. When oper- ating the unit with batteries, use alkaline, Ni-Cd, Ni-MH batteries, or the Tamiya (7.2V) battery. Access the Fostex web site ( ) and download the updated software for the FR-2LE to your personal computer. Pull the hook in the arrow direction and lift the cover. After making cable connection, insert the battery case (or a Tamiya battery) to the compartment. The following is assumed that a CompactFlash card is set to the card slot as when the unit is shipped. We recommend paying attention to the battery indicator in order not to miss the timing of battery change. When you use an unformatted memory card or a card which is formatted with a file system other than FAT32, format it by the following procedure. The current time data of the realtime clock is shown on the display.http://cargolift-bg.com/userfiles/candy-alise-085-user-manual.xml

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The time data of the realtime clock can be used as a file name when a new audio file is created on the card (i.e. Note that Fostex is not responsible for any damage of a card caused by incorrect card handling. Eject button. It is assumed that a memory card (regardless of whether it is the supplied memory card or another one) is inserted to the slot. In the following description, it is assumed that the unit is powered off. If you set a card while the eject button is in the up position, you cannot close:. If any data is recorded on the card, the remaining space which can be used for recording by the FR-2LE may be smaller.Otherwise, the unit may fall down, resulting in human injury or damage of the unit. Top panel 11 12 13 14 LIGHT FR-2LE FIELD MEMORY RECORDER CONTRAST SHIFT PREV FILE. During playback, pressing this key cues the transport in the forward direction at up to double speed.By connecting a PC to this port, you can transfer audio files between the unit and PC. This message appears when turning on the power. Ask your local Fostex dealer or sales office for replacing the battery. This message appears when the memory card inserted to the slot has a problem. To create a new audio file, delete an unnecessary file or re- place the card to another one. Audio connections.50 Connecting to an external microphone.50 Connecting to the line outputs of an external audio device.50 Connecting to a monitor system.51 Connecting to headphones.51 Other connections.52. These connectors accept a wide range of inputs from microphone level to line level. By connecting the FR-2LE to a PC via this connector, you can control the current memory card of the FR-2LE from the PC and transfer audio files to the PC. With this system, Each time you make recording, a BWF or MP3 file is automatically created and a pair of L and R audio signals is stored to it. See the following pages for details about each item.http://goholidaysasia.com/userfiles/candy-alise-850-manual.xml

Default file name setting (if needed) When you starts recording, an audio file is newly created on the memory card and its file name is automatically given. We recommend you to set the maximum file size depending on the file size your personal computer can import. Each time the unit makes recording, it creates an audio file on the memory card. Note that the unit cannot make additional recording to an existing audio file. You can manually set and store a cue point at the desired position during recording (or while stopped).FR-2LE FIELD MEMORY RECORDER MIC L key while holding down. When more than one audio file is created on a memory card, you can immediately skip to the beginning (ABS 0) of a desired track. Connecting the FR-2LE to a PC.70 USB connection between the FR-2LE to a PC.71 Copying an audio file to a PC hard disk.72. FR-2LE audio data can be copied to a hard disk on your PC, or exported to a computer application such as Digidesign Pro Tools. The FR-2LE enters the USB mode and the display shows the screen on the right below. While this screen is shown, you can transfer data between the FR-2LE and the PC. In such a case, download the file for upgrading the FR-2LE from the Fostex web site to your PC, and copy it to a memory card. In the following procedure, it is assumed that the file for upgrading the FR-2LE has been already downloaded to your PC (see page 111 for details about upgrading the software). For details about instructions of Pro Tools, see the instruction manual supplied with Pro Tools. To prevent this kind of an accident, we recommend pro- tecting a memory card in use. When you select the File menu in step 2), executing step 3) brings up the screen for selecting an audio file in the ADL.You can set the take number between 001 and 999. This prevents missing the start of important recording.FOSTEX DISTRIBUTORS LIST IN EUROPE NAME: ATEC Audio-u. Videogeraete VertriebsgesmbH.

Labor costs are also covered by Fostex America for one (1) year from the date of original purchase. Except as specified below, this warranty covers all defects in material and workmanship in this product. Fostex America shall not under any circumstances be liable for: Damaged based on inconvenience, loss of use of the product, loss of time, interrupted operation or commercial loss, OR. Make you sure you delete the Temporary Internet Files under the General Tab and Delete button so that you download new copies of files. Fostex continue to develop quality products for Professionals and Hifi enthusiasts. If you continue using this website, we will assume that you are happy about that. Nice preamps but the headphone output really sucks. I wonder, is it possible to find a service manual anywhere? Thanks! I don't think it's fixable, it just came that way. I don't think it's fixable, it just came that way.Not much to improve if so. Not much to improve if so. Pity that the chip is a bit limited. Only possibility would be to reduce the gain of the output stage (which means snooping on the I2C or SPI bus and replacing certain commands) and adding a proper amplifier. Cheaper to upgrade to a MixPre 3 or a Zoom F4 but might do it for fun. Has anyone explored options? (Not intending to reinvent the wheel) I don't think it's fixable, it just came that way. Don't do this. The FR-2LE had a better headphone amp.A better amp. would draw more from the battery and shorten the recording time and the recorder is a field recorder, so the longer running time the better. The best headphones to use with the FR-2 and FR-2LE are the Sennheiserr HD 25 which are very efficient and give a good output at lower gain levels than other headphones. I asked this question to Fostex in detail when the first FR-2 came out and I wrote the first review of it for LineUP magazine and they told me the reason at the time. So - you may put in a better headphone amp.

, but at the expense of draining the batteries faster and limiting the recording time. I found the HD 25-1 (in my case) an excellent match for the FR-2 and FR-2LE and they did not display the nasties that less efficient and higher impedance headphones did. Circle Sound Services The FR-2LE had a better headphone amp.Amazing! Quote But the headphone amp is like this for a reason - it's all down to current draw and battery life. A better amp. would draw more from the battery and shorten the recording time and the recorder is a field recorder, so the longer running time the better. Of course it would increase power consumption, that's a given I won't do it because I got a SD MixPre 3. It drains power like there's no tomorrow but everything is amazing. I will sell the FR-2LE including a new Tamiya compatible battery and charger. Quote The best headphones to use with the FR-2 and FR-2LE are the Sennheiserr HD 25 which are very efficient and give a good output at lower gain levels than other headphones. I was using Ultrasone HFI-650 which are quite efficient. I also tried the Sony MDR-7506 lately and I think these are more efficient than the Ultrasones. Quote I asked this question to Fostex in detail when the first FR-2 came out and I wrote the first review of it for LineUP magazine and they told me the reason at the time. I know Fostex are far from idiots and there was a reason. I haven't opened it but I imagine they used the codec-and-all chip. Nowadays there are better components Anyway I won't do it finally, better to sell it. The HD 25 are 120dB efficient, the Sony only 106dB - the Sennheisers are 14dB better. I found no problem at all using the HD 25 in the FR-2 and used mine for quite a few years before I sold it on and upgraded to a Nagra VI. I used the FR-2 as a master recorder for several CDs.

Yes, I had problems with less efficient and higher impedance headphones - but teh HD 25 seemed a perfect match for me (I actually said most of this when I originally reviewed the FR-2). Circle Sound Services. Please visit to contributeMost comparable audio recording devices have a very similar layout and operate along the same principles as the Fostex used in this tutorial. You should compare usability and sound quality carefully, ideally before committing to a purchase. For a number of recorders, including the Marantz PMD660, the Zoom H2 and the Edirol R09, customised versions of this tutorial are available here.These are indicated by a box like this. Typically the 'edit' link above such a section will let you edit that shared section. When editing a shared section, you need to bear in mind that the section is used across different tutorials, and e.g. you should not include anything device specific.Typically, an audio recording kit around the Fostex FR2LE might include:You need to have:The radio mics need 2 x AA batteries in the transmitter and 2 x AA in the receiver, i.e. you need 8 AA batteries for a full charge. Ideally you would use rechargables - the EW100 G2 series runs very well off rechargeables.All equipment has a battery life gauge to show remaining battery life. All important controls for recording are situated on the front of the recorder.If the level shown on the level meters is too low or too high, use the recording level control to adjust this.) It allows you to check the input levels and can be used to stop recording. It can also adjust the output levels of the internal speakers. Hold the button down for a few seconds for the light to stay on, press again to turn off. This allows you to adjust the screen contrast. Using shift with the menu button enters you into a quick setup mode. Pressing this button with shift allows you to go to the previous cue point if any are set.

Pressing this button with shift allows you to go to the next cue point if any are set. Used with shift it will lock the panel. To turn off hold the power switch up for two seconds. For example, the recording stops half-way through the talk displaying a screen which reads 'Disk Full. Press Enter to return to the main menu'. You can do this by pressing 'Menu', then selecting 'Disk', and then 'Reformat'. This will clear all files from the memory card. It will also, however, reset the Fostex settings so you will have to enter them again. (You want the settings to be BFW44-16.). It does not matter too much if there is a small break in the talk. This is why it is important to LISTEN TO THE RECORDING AS IT IS HAPPENING wherever possible.If you use a power socket, make sure that nobdoy will trip over the cable - use gaffer tape to tape down the cable if necessary.To connect the radio mics to the recorder insert the large silver plug (XLR cable) into the ANALOG IN connectors and the smaller end connects to the reciever. Use just the L input for one mic; use and L and R if you have two mics.Also connect your headphones to the phones connection on the right hand side of the recorder.The flap lifts by squeezing either side to release it. If not, change frequency (see the trouble shooting below). With the sensitivity set to say -6dB, you will find it quite easy to distort mic signal (the yellow led on the front will flash). A good, conservative setting is -20dB. Again you should explore this and see how it affects the input stage of the recorder (see below). Many recording devices expect a mic level, so it is safer to set the 'AF out' level to -12dB (mic level). The screen will turn on and make sure that in the bottom right of the screen it says BWF 44-16. This is the correct format for recording. Otherwise it could be set to record from the internal microphones. Does the sound in the headphones disappear. If not, you are recording from the internal mics.

Also, you can gently scratch the external mics, e.g. on the handle, or gently tap the mic itself: Do you hear this in the headphones. If yes, then you are recording from the external mics as you should be.If they are on the same wave length both screens should be showing the activity coming through the clip mic. Now turn on the REC STBY switch on the front of the field audio recorder and the same activity should be shown on the recorder screen.They should coincide with the activity coming through the microphone. You should also hear the activity coming through the headphones. Try testing that the internal microphone is not picking up any sound by tapping on those. They should not register anything.Check the 'sound chain':If not, check that it is turned on and not on mute and that the mic is properly connected. If not, check radio reception. If not, check the cables are connected properly. Check the volume control for the headphones. You must never have two microphones transmitting on the same frequency. (Two receivers receiving signals from the same microphone is, however, fine.) Otherwise on the lapel of a jacket, or onto the shirt. A third of the way down the shirt is aEither the trouser pocket or belt are both good positions. If your speaker is well animated make sure the transmitterThis allows you to listen through the headphones and watch the levels on both the receiver and recorder. Monitor the audio carefully and pay attention to any peaks in the sound. Be aware that if the speaker is going to be giving a lecture but they are speaking at a normal level before, they will adjust their own personal voice levels when it comes to the lecture.If anything is wrong you can still go back to the speaker and adjust things.You will not be able to see levels of audio on the recorder as well if the switch is not on.Talk loudly into the microphone. Do the mic peak indicators light up (for the relevant channel). If so, reduce the mic trim (turn counter-clockwise).

If not, you are fine. Talk into the microphone as if you were giving a lecture and turn up the recording level control until the recording level display shows goods activity, with green leds lighting up reasonably often at -12dB, very occasionally at -6dB, but never higher. This is not a problem as long as the mic peak indicators (9) do not light up when you speak into the mic loudly!Does it come through the headphones clearly. Or is it muffled or can you hear extraneous sounds. If so, see the trouble shooting section.You can adjust the volume by altering the monitor control next to the input controls on the front of the recorder (button 8).You have plenty of space on the memory card, so there is no harm in starting the recording 10 minutes early. From experience: It is a common problem to miss the start of the event and people may suddenly start to talk while you were not watching. So just start recording in good time.If you are recording on location and have the ability to start recording again listen out for unwanted sounds that are out of your control, such as trains going past, dogs barking etc.You should see the light come on within the button and the time on the screen should start running. You will also notice a record symbol in the top right of the screen.The REC STBY switch will also stop recording. The speaker might say a nice short clip that you can use as a sound bite.Speakers can easily wonder off with your mic. Also make sure that you have got an appropriate release form signed by the speaker. Just after the talk may be a good occasion to get this done.You can then drag your recordingsComputers can crash, and you do not want to loose your recording. Generally speaking, you would only delete the raw recording from the memory card when you have got a backup on CD or DVD.Original document written 29th November 2007. Subscribe to our free newsletter Request a new review The only flaw is the breath has the headphones often disturbing.

1 people found this review helpful Did you find this review helpful? yes no. The in darkness and put in place to avoid erasure of registration error are trs effective, quality audio, even in mp3 is fabulous, with little electronic noise. I use the entries symtriques. The VU meters are well sized and the volume is SETTING THE ISSA and effective. The only points are the quality of amlioration prampli headset. Indeed, during collection outdoor recordings, the sound of prampli is such that it could cover the recorded signal (eg birds, sounds of water). Intgr mics are not good quality the trs Casing recorder PForm sound. For my part, the ratio qualitprix is ??good. Before the acquisition of the FR2 LE, I was using a recorder numrique iKey that did not give me satisfaction. I use this product as 95% in the studio, the default is not important, o my note about its valuation. 3 of 3 people found this review helpful Did you find this review helpful? yes no. Sometimes you do not light the first time, then pushed two times in a row, finally we complexion. Sometimes an electronic whistle type that Get You Started. Disparate when it starts recording. Some do not like. I'll have to test in difficult situations. The lighting of the screen is ncessaire ds pnombre we are in, or if you can not dplacer the FR2LE and the sun is in the notch reflte. When the door bandoulire, we see the vumtre we must go back to the FR2LE itself to see the notch, bevel t have more to do with the camera horizontally and vertically (to see levels, be on the record that has started and to see the remaining recording time). Trim mics The buttons are small. It quickly mishandling. It repre are not quickly o levels (same for the standard headphone ct. Levels The VUmtre the ct is not ractif, LEDs are fairly static, it is better privilgier that of the notch. The pramplis are a bit small (!) Its a concern for recording ambient sound in a quiet, if you want a well Retailer.

To give an ide: recording 2mx2m bathroom, shower: Mic Trims 75%, a level between 100%! (Tets RALIS with AT825 Stereo mic, phantom power). Ok, I described these lines there qq days: The AT825 microphone output is low as all the microphones Stereo. With a condenser microphone: no worries. Autonomy Apparently, a file being saved is not saved in case of power failure, battery failure. Standard batteries last for 20 minutes (approx). Take rechargeable batteries or better, 7.2 V 4200mAh battery (the max is more hard) in a store modlisme. Prvoir 40Euros about 20euros for the charger. Tamiya is the type of connection. Compact Flash (CF) The recording time is configured by default 2GB. To use a 4GB card (the max for FR2LE) the capacity to be changed in the menus. D'APRS computer stores, a CF type 2 suggre as in the manual and on the Fostex site is a Microdrive, ie a hard drive, so it is more fragile than Type1 card like 128MB that came with the FR2LE. My special card 4GB Transcend works well trs (48 euros in Paris (see Mongallet Street). Listen Headphones The headphone amplifier is a bit noisy (breath). Unplug the USB cable, it cr gnre noise. Rtro-lighting of the screen Sr Although it consumes energy. We can activate before entering the menus. Remains clear 3 sec. Not really the time to accder menus. Micros Intgr To use without handle FR2LE, interview.PC Connection Connect and menu navigation with USB connection to PC: ok, no problem on OSX, so I think Windows. See if it works on Linux (see drivers). The ceremonial FR2LE as a hard disk. Transfer files fast enough. I think to buy a card reader for now. Transfer monopolizes the machine, may be useful to have a card reader to offload while recording with another. It is better to unplug the USB cable if you want to save: if your PC is connected agnre noise. Sound quality This is the main question. I have not made enough records to give notice. For the price, which is the main argument of this machine is worth it.

There are things missing from these tests (USB transfer, correct for the time prciser use, solid connectors.). J'espre that has help those who are asking questions before purchase. It is always best to take (s) mic (s) that will be used and some batteries (it takes 4) and, even if the seller a little drunk, doing self-test in a same store and the street in front. Good records! 2 of 2 people found this review helpful Did you find this review helpful? yes no. Note that the battery pack of 7.2 V Ni-MH worth between 25 and 50 euros and it must also buy a quick charger (50 euros). CFC card may have a capacity of 4 and G0 but the files generated when recording do not exceed 4GB. The characteristic I like least is the all-plastic, which gives an impression of fragility (particularly CFC card door and that of the battery compartment). Two drawbacks: it only records in stereo and the files are not deleted from the CFC card (for security). The place will be recovered by re-formatting formatage.Le implies a choice in the sample and setting: 16 or 24 bits or MP3, 44, 48, 88, 92 khz. The amplifier monitoring is a bit noisy. The setting of Trimmers microphones and the recording level is yet to theorize. I have experience of 4 S Nagra, the Sony DAT TD Pro 2, the FOSTEX FR2. I have not tried other recent digital recorders. User's Guide at: 1 people found this review helpful Did you find this review helpful? yes no By using our services, you agree to our use of cookies. Find out more. Is it perfect for location sound recording. This places it halfway between its sturdier big brother and the many less expensive pocket recorders on the market (as well as the Tascam HDP2). A far cry, then, from the high?end esoteric field gear made by Nagra and Sound Devices, but certainly not a bargain?basement recorder. The FR2LE is delivered with a carrying strap, 'wall wart' power supply, remote control, draw?string carrying bag and instruction manual.

Replacing the display on the front is the Compact Flash (CF) slot, underneath which are situated the microphone trim controls and the monitor level control. To the right of these are Fostex's standard Rec Stby (for record standby') and Rec buttons, with their operation lights and LED level meters above. These LEDs replace the function of the front-panel display in giving a clear indication of levels when using the FR2LE over the shoulder. The dual?concentric input level control is on the bottom?right corner, to the right of the record button. This has been improved from that of the FR2, and is easier to adjust with the thumb once the levels and balance are set. To the right of the display is the main control panel with all the primary operation keys. Also on the top panel are two small holes, which contain a pair of small omnidirectional microphone capsules for 'note taking' purposes. The remote duplicates the Rec Stby and Rec buttons and also has a cue Mark button, plus a Velcro strip for easy fixing to the carrying strap or similar. The XLRs are microphone?level sockets and the jacks are line?level sockets. A quick flick of the switch turns the machine on, but it must be held in order to turn it off, a feature that helps you to avoid accidental power?offs. A few more connections are here too, including a 3.5mm headphone socket, a USB connection for downloading data to a computer, and a pair of phono sockets for monitor line out. On the bottom of the unit is a small loudspeaker for confidence monitoring. It works fine for this purpose, as long as you don't sit it on anything soft! This contains a plug?in box that takes four alkaline or rechargeable AA batteries, for about four hours' running time. The box can also be replaced by a Tamiya 7.2V NiMH battery pack for about eight hours' use. If you use the Tamiya, a fast charger is available that can be powered from the mains or via a car's 'lighter' socket.

My choice would be to use the FR2LE with the Tamiya packs and a fast charger, and to save the less powerful AA battery box for emergencies. These range from 192kbps MP3 up to 24-bit, 96kHz BWF (Broadcast Wave format) and almost everything inbetween. Although the FR2LE is superficially very similar to the FR2, it does do things a little differently. As the machine is so much smaller, a lot of the setup is carried out using the menu system. This can lead to slip?ups if you're not careful: I made a very interesting recording using the internal omnidirectional mics, simply because I forgot to enter the menu and select 'input'. I still had the machines set to 'I.Mic.H' (left internal microphone, high gain). Once you get used to the menu layout, though, it's easy enough to set up. Pressing the Rec Stby button puts the machine into standby mode, allowing you to monitor the incoming signal. If you have activated 'pre?record' mode, the FR2LE also starts recording into its buffer memory. Pressing Rec starts the recording, first reading out the buffer onto the CF card, with the rest of the recording following. This is ideal if you don't want to risk missing the first word or note of a take. To stop the recording, you press Rec Stby again, the machine finishes reading the buffer memory onto the CF card and stops. Each card can only be formatted for a particular sample rate, which means that you need to have several cards pre?formatted if you often use different sample rates or channel configurations. Another quirk of the system is that you can't delete individual files from the card. You can only delete files by re?formatting the CF card entirely (preferably after you have downloaded the files to your computer). The headphones I use are the Sennheiser HD 25?1 which are 70? impedance and 120dB efficient, giving a high monitoring level for a low volume setting.

Whatever headphones you choose for yourself, look carefully at the impedance and efficiency before choosing, as this will help to maximise battery life. Note the front?mounted screen. Being accustomed to the original FR2, there were a few things that threw me at first but made working easier in practice, while some other tasks have become a bit more involved and not so easy due to the reliance on menus. The level control is certainly an improvement over the original FR2, being very easily adjustable, and the addition of a single button-press to return to the start of a recording is great for reviewing takes. It doubles the battery life of the higher?end FR2 from two to four hours when using four alkaline AA batteries and runs for eight hours using a Tamiya battery. This makes it seriously usable in the field, while the original FR2 needed at least the Tamiya battery to be of much use in extended sessions. For serious recording all you need to add is the Tamiya batteries and a good outdoor case from someone like KT Systems. It's also not a pocket recorder, so the built?in microphones are really just for 'note taking'. Although it was originally aimed at the radio reporter market, it fulfils an excellent role as a budget location recording machine. It's not too small and fiddly, but not too large to be unwieldy. Coupled with a pair of decent condenser microphones it will produce very fine results in many situations. Unlike its bigger brother, the FR2LE also comes complete with mains PSU, which is a boon in many situations. All in all, the FR2LE is ideal for the musician on location, the videographer who wants high-quality sound recorded off?camera for sync in the edit, or even the wildlife recordist on a budget. If you want timecode, the Tascam HDP2 or the original FR2 with timecode board are worth looking at, but at a higher price level for the features. Pros XLR mic inputs with 48V phantom power. Memory buffer means you never need miss the start of a take.http://asiguere.com/images/braun-7681-silk-epil-7-xpressive-pro-epilator-manual.pdf